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Xianxia (traditional Chinese: 仙俠; simplified Chinese: 仙侠; pinyin: xiānxiá; lit. 'immortal heroes') is a genre of Chinese fantasy heavily inspired by Chinese mythology and influenced by philosophies of Taoism, Chan Buddhism, Chinese martial arts, traditional Chinese medicine, Chinese folk religion, Chinese alchemy, other traditional elements of Chinese culture, [1] and the wuxia genre.
Spiritualist art or spirit art or mediumistic art or psychic painting is a form of art, mainly painting, influenced by spiritualism. Spiritualism influenced art, having an influence on artistic consciousness, with spiritual art having a huge impact on what became modernism and therefore art today.
Inspiration (from the Latin inspirare, meaning "to breathe into") is an unconscious burst of creativity in a literary, musical, or visual art and other artistic endeavours. The concept has origins in both Hellenism and Hebraism .
Traditional Chinese artists sought to capture the interrelated, vast and multifaceted aspects of nature here are on earth and in the heavens. From the article "The Great Art of China's 'Soundless Poems'", Heaven appears "before us only this bright shining mass; but in its immeasurable extent, the sun, the moon, stars and constellations are suspended in it, and all things are embraced under it."
In Germany, the rediscovery of Norse mythology became popularized by transforming its art-religion context to an alternative spiritual practice. [2] The Lord of the Rings written by J. R. R. Tolkien was said to have been heavily influenced by Norse mythology which brought on many debates about structural and theoretical approaches to mythology. [3]
The Gulshan-i 'Ishq ("The Rose Garden of Love") is a romantic poem written in 1657 by the Indian Sufi poet Nusrati. [1] Written in the Deccani language, it combines literary and cultural traditions from India and Iran. It describes the journey of a prince through a series of fantastical scenes in search of a woman he saw in a dream, leading to ...
Their art featured emotionalism and irrationality, fantasy and imagination, personality cults, folklore and country life, and the propagation of ideals of freedom. In the second period, many of the Polish Romantics worked abroad, often banished from Poland by the occupying powers due to their politically subversive ideas.
Ancient Greek mythology has been an integral part of art, serving as an inspiration to a large number of concepts in art. The culture had a winged figure, Ero, the son of Aphrodite, the goddess of love, who became Cupid in the Roman Empire [39] The Greek mythology associates Erotes with love and desire. While they are perceived as heavenly ...