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Jacques Courtois' battle scenes share with the Bamboccianti an interest in the anecdotal and an attention to detail. This influence became less in his more mature period through the influence of contemporary painter Salvator Rosa whom he had met in Florence, and whose night landscapes, scenes of necromancy, soldiers, battles and genre scenes he ...
Per artist a maximum of two artwork IDs is provided with which the artwork can be searched online. The two-letter prefix in the ID indicates the origin of the artwork: MI = Musées Impériaux; RF = République Française; INV = Inventaire Department of Paintings & Department of Sculptures.
David and Goliath. Guillaume Courtois was mainly a history painter of Christian religious and mythological scenes. [1] He was also in demand as a staffage painter. He is sometimes referred to as a battle painter because of his involvement in the decorative project in the chapel of the Congregation of the Jesuits, a small oratory housed in a room of the Collegio Romano adjacent to the Sant ...
He left for Rome around 1674–1675. In 1675 he is recorded in Rome where he was a pupil or worked in the workshop of the Franc-comtois-Italian battle painter Jacques Courtois according to Italian art historian Luigi Lanzi. [3] He married Margarita Gambari in Rome on 12 September 1682.
Anna Maria Vaiani was born in Florence in 1604. Her father, Alessandro Vaiani, was a painter. [1] She lived and worked in Rome.In 1647 she married the French painter and printmaker Jacques Courtois, but it was not a success.
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Samuel Bernard (artist) Nicolas Bertin; Trophime Bigot; Gabriel Blanchard; Jacques Blanchard; Jean-Baptiste Blanchard (painter) Thomas Blanchet; Blarenberghe; Henri Bonnart; François Bonnemer; Louis Boudan; Jean Boulanger (painter) Louis Boullogne; Louis de Boullogne; Madeleine Boullogne; Bon Boullogne; Geneviève Boullogne; Valentin de ...
Seven years after Sargent painted Madame Gautreau, Gustave Courtois painted her. As in the earlier painting, the portrait shows her face in profile. She wears the same style of dress, with Courtois's portrait showing a bit more skin. The strap of her dress hangs off her shoulder much as it had in Sargent's portrait.