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Xylorimba, range C3-C8. The xylorimba (sometimes referred to as xylo-marimba or marimba-xylophone) is a pitched percussion instrument similar to an extended-range xylophone with a range identical to some 5-octave celestas or 5-octave marimbas, though typically an octave higher than the latter.
The term marimba refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. [1] The term is of Bantu origin, deriving from the prefix ma-meaning 'many' and -rimba meaning 'xylophone'. The term is akin to Kikongo and Swahili marimba or malimba. [2]
Marimba; Metallophone; Mridangam; Glockenspiel; The harp stop and other effects on the organ; ... Xylorimba; Auxiliary percussion (Untuned percussion) Agogo bells;
211.2 Membranophone Angklung: Indonesia Pitched 111.232 Idiophone [1] Anvil: Unpitched 111 Idiophone A similar-sounding alternative is often used due to the weight of the blacksmith's anvil [2] Apito: Brazil Unpitched 421.221.11 Aerophone Also known as samba whistle. Some apitos produce up to three different tones, but none of these is normally ...
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion.
Some can be as small a range as 2 + 1 ⁄ 2 octaves but concert xylophones are typically 3 + 1 ⁄ 2 or 4 octaves. Like the glockenspiel, the xylophone is a transposing instrument: its parts are written one octave below the sounding notes. [5] Concert xylophones have tube resonators below the bars to enhance the tone and sustain. Frames are ...
111.2 Percussion idiophones – The instrument is struck either with a non-sonorous object (hand, stick, striker) or against a non-sonorous object (human body, the ground) 111.21 Percussion sticks 111.212 Sets of percussion sticks in a range of different pitches combined into one instrument, such as a xylophone provided its sounding components ...
Its timbre was similar to the celesta, and it was used mainly by marimba bands and as a solo instrument by stage artists. In addition to being played with mallets in the conventional way (as in the playing of a marimba or vibraphone ), the marimbaphone was designed so that its bars could be rotated from a horizontal position to a vertical ...