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The Flapper is a 1920 American silent comedy film starring Olive Thomas. Directed by Alan Crosland , the film was the first in the United States to portray the " flapper " lifestyle, which became a cultural craze or fad in the 1920s.
Mary Louise Brooks (November 14, 1906 – August 8, 1985) was an American film actress during the 1920s and 1930s. She is regarded today as an icon of the flapper culture, in part due to the bob hairstyle that she helped popularize during the prime of her career.
The Flapper: 1920 Extra Selznick Pictures [11] The Stealers: 1920 Julia Martin Robertson-Cole Studios, Inc. [12] Way Down East: 1920 Barn dancer United Artists [13] The Restless Sex: 1920 Extra Cosmopolitan Productions [11] The Sign on the Door: 1921 Uncredited Edited out First National Pictures [11] Torchy's Millions: 1921 Unknown Educational ...
An advertisement for the 1920 silent film comedy The Flapper, with Olive Thomas, before the look of the flapper had started to coalesce. By November 1910, the word was popular enough for A. E. James to begin a series of stories in the London Magazine featuring the misadventures of a pretty fifteen-year-old girl and titled "Her Majesty the ...
The Perfect Flapper is a 1924 American romantic comedy film directed by Earl Hudson and starring Colleen Moore. [1] This was Moore's second " flapper film" after Flaming Youth . It was released after Through the Dark (made before Flaming Youth but in theaters after its release) and Painted People .
Prior to Flaming Youth, several films used the flapper cultural phenomenon as subject matter, such as The Flapper (1920) starring Olive Thomas, but the financial success of Flaming Youth made it the movie credited with launching a cycle of movies about flappers and helping Colleen Moore be seen as the originator of the screen flapper. [5] [6]
1920s: The Spanish Flu. In the fall of 1918, a mutated version of the virus that claimed its first victims in the spring made its way around the world, causing the death rate to escalate quickly ...
The role established her as a symbol of modern 1920s-style femininity who rivaled Clara Bow, the original It girl, and Hollywood's foremost flapper. A stream of hits followed Our Dancing Daughters , including two more flapper-themed movies, in which Crawford embodied for her legion of fans (many of whom were women) an idealized vision of the ...