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Qwest TV is a subscription video-on-demand service featuring jazz and other eclectic music, including classical, blues, and soul. Qwest TV was created in 2017 by Quincy Jones and Reza Ackbaraly. History
Several episodes discussed the later contributions of Charlie Parker and Dizzy Gillespie to bebop, and of Miles Davis, Ornette Coleman, and John Coltrane to free and cool jazz. Of this 10-part documentary surveying jazz in the years from 1917 to 2001, all but the last episode are devoted to music pre-1961.
In the United Kingdom, Play the Blues: Live from Jazz at Lincoln Center reached position 40 on the official album charts, which contains the summary of digital downloads and physical album sales. In addition, the release positioned itself on number 91 on the download album chart and peaked at number 34 on the physical album sales chart.
European free jazz: European free jazz is a part of the global free jazz scene with its own development and characteristics. 1960s -> Flamenco jazz: Flamenco jazz is a style mixing flamenco and jazz, typified by artists such as Paco de Lucia and Camarón de la Isla. 1960s -> Free funk: A combination of avant-garde jazz with funk music 1970s ...
Well-established jazz musicians, such as Dave Brubeck, Wynton Marsalis, Sonny Rollins, Wayne Shorter, Jessica Williams and George Benson, continue to perform and record. In the 1990s, punk jazz and jazzcore began to reflect the increasing awareness of elements of extreme metal (particularly thrash metal and death metal ) in hardcore punk.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.