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Rhapsody No. 2 (Bartók) Road Movies (Adams) Romance for violin and piano (Martinů) Romance in F minor (Dvořák) Romantic Pieces (Dvořák) Rondo in B minor for violin and piano, D 895 (Schubert) Ruralia hungarica
Violin Concerto No. 2; the cadenza in the first movement requires the use of quarter-tones, but only as an effect. [10] John Beckwith. Blurred Lines for violin and harpsichord (1997) [11] Jack Behrens. Quarter-Tone Quartet, Op. 20. [12] Alban Berg. Chamber Concerto, for violin, piano, and 13 winds. [13] Luciano Berio. E vó (1972). [14] Easley ...
Concerto No. 2 in D major for 2 violins and orchestra, H. 329; Karl Marx: Concerto for 2 violins and orchestra; Wolfgang Amadeus Mozart: Concertone in C major for 2 violins and orchestra, K. 190; Mark O'Connor: Double Violin Concerto for 2 violins and symphony orchestra; Arvo Pärt: Tabula Rasa for 2 violins, prepared piano and string orchestra
Nevertheless, all songs and dances included in this series are based on folk music from many Eastern Europe countries, but harmonic and rhythmic freedom is evident throughout the whole piece. In 1936, Bartók arranged 6 of these duos for piano, under the title Petite Suite .
Sonata for Piano and Violin No. 21 in E minor (K. 304/300c) is a work by Wolfgang Amadeus Mozart. It was composed in 1778 while Mozart was in Paris. The piece was composed during the same period that Mozart's mother, Anna Maria Mozart, died, and the sonata's mood reflects this. It is the only instrumental work by Mozart whose home key is E minor.
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
Rhapsody No. 2, Sz. 89 and 90, BB 96, is the second of two virtuoso works for violin and piano, subsequently arranged with orchestra accompaniment, written by Béla Bartók. It was composed in 1928 and orchestrated in 1929. The orchestral version was revised in 1935, and the version with piano in 1945.
Op. 126: Divertissement in Four Movements for violin, cello & piano (2005) Op. 132: String Quartet No. 2 (2007) Op. 136: Piano Trio No. 1 for violin, cello and piano (2009) Op. 142: Piano Trio No. 2 for violin, cello and piano (2010) Op. 150: "Rondo frivole", piece for string quartet (2013) Op. 154: "The Last Attempt", piece for string quartet ...