Search results
Results From The WOW.Com Content Network
Sometimes, the male eye is depicted smaller than the female one and a half-moustache is also seen. [28] [29] A half third eye (trinetra) is prescribed on the male side of the forehead in the canons; a full eye may also be depicted in middle of forehead separated by both the sides or a half eye may be shown above or below Parvati's round dot.
Shiva and Parvati are often represented sitting face to face (the sammukha mudra). They can also be seen in various postures connoting love and desire such as embracing each other in the alingana pose. Shiva in some representations touches and caresses Parvati's breasts (the kuca-sparsa pose) or holds her in his lap (atikarohana form).
The face of Uma also bears the Shaiva mark and depicts Shiva as Ardhanarishvara, the composite androgynous form of Shiva and Parvati. The right half is the male Shiva with a moustache, while the left half is the female Parvati; the eyes, the lips, the earrings (a serpent and floral earring) as well as the sides of the crown may differ in the ...
It typically shows Shiva dancing in one of the Natya Shastra poses, holding Agni (fire) in his left back hand, the front hand in gajahasta (elephant hand) or dandahasta (stick hand) mudra, the front right hand with a wrapped snake that is in abhaya (fear not) mudra while pointing to a Sutra text, and the back hand holding a musical instrument ...
Like many other poses used in traditional Indian dance, including Odissi, Bharata Natyam and Kathak, Tribhangi or Tribhanga can be found in Indian sculpture as well. . Traditionally the Yakshi is shown with her hand touching a tree branch, and a sinuous pose, tribhanga pose, as is Salabhanjika, whose examples dating to the 12th century can be found in the Hoysala temples of Belur, in south ...
In Hinduism, there are diverse approaches to conceptualizing God and gender.Many Hindus focus upon impersonal Absolute which is genderless.Other Hindu traditions conceive God as bigender (both female and male), alternatively as either male or female, while cherishing gender henotheism, that is without denying the existence of other gods in either gender.
Shiva's body is said to consist of five mantras, called the pañcabrahman. [301] As forms of God, each of these have their own names and distinct iconography: [302] These are represented as the five faces of Shiva and are associated in various texts with the five elements, the five senses, the five organs of perception, and the five organs of ...
According to the Shiva Purana, Shiva once appeared as a fiery column of light, or jyotirlinga, to establish his supremacy over Brahma and Vishnu. [5] The jyotirlinga is the supreme partless reality, out of which Shiva partly appears. It is believed that jyotirlinga shrines are places where Shiva appeared as a fiery column of light.