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This makes the caesura arguably more important to the Old English verse than it was to Latin or Greek poetry. In Latin or Greek poetry, the caesura could be suppressed for effect in any line. In the alliterative verse that is shared by most of the oldest Germanic languages, the caesura is an ever-present and necessary part of the verse form itself.
In poetry, a hendecasyllable (as an adjective, hendecasyllabic) is a line of eleven syllables.The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry.
When the 3rd foot is a dactyl, the caesura can come after the second syllable of the 3rd foot; this is known as a weak or feminine caesura. It is more common in Greek than in Latin. [7] An example is the first line of Homer's Odyssey: ἄνδρα μοι / ἔννεπε, / μοῦσα, πο/λύτροπον, / ὃς μάλα / πολλὰ
Ancient Greek architecture is best known for its temples, many of which are found throughout the region, with the Parthenon regarded, now as in ancient times, as the prime example. [2] Most remains are very incomplete ruins, but a number survive substantially intact, mostly outside modern Greece.
A hemistich (/ ˈ h ɛ m ɪ s t ɪ k /; via Latin from Greek ἡμιστίχιον, from ἡμι-"half" and στίχος "verse") [1] is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama
The excavations of the Greek archaeologists were performed over most of the area of the temple and the architectural fragments they discovered are stored at the Archaeological Museum of Corfu. [4] The excavations found evidence that a sanctuary existed by early 7th century B.C. with a major structure being built by the end of that century ...
American Greek Revival was an architectural style popular in the United States and Canada from about 1800 to 1860. The unique American interpretation of a larger Greek Revival of the era allowed many rural and vernacular interpretations to flourish, and these further influenced the development of many other styles, such as the gablefront .
The pediment begins in Ancient Greek architecture; according to the mid-fifth century BCE poet Pindar, it was a Corinthian invention. [4] It is possible that it was devised specifically to contain sculpture, which from the early 6th century became "customary (though never obligatory)" in Doric temples; in Ionic ones it was a "rarity". [5]