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In poetry, a hendecasyllable (as an adjective, hendecasyllabic) is a line of eleven syllables.The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry.
A masculine caesura follows a stressed syllable while a feminine caesura follows an unstressed syllable. A caesura is also described by its position in a line of poetry: a caesura close to the beginning of a line is called an initial caesura, one in the middle of a line is medial , and one near the end of a line is terminal.
When the 3rd foot is a dactyl, the caesura can come after the second syllable of the 3rd foot; this is known as a weak or feminine caesura. It is more common in Greek than in Latin. [7] An example is the first line of Homer's Odyssey: ἄνδρα μοι / ἔννεπε, / μοῦσα, πο/λύτροπον, / ὃς μάλα / πολλὰ
Ancient Greek architecture is best known for its temples, many of which are found throughout the region, with the Parthenon regarded, now as in ancient times, as the prime example. [2] Most remains are very incomplete ruins, but a number survive substantially intact, mostly outside modern Greece.
The excavations of the Greek archaeologists were performed over most of the area of the temple and the architectural fragments they discovered are stored at the Archaeological Museum of Corfu. [4] The excavations found evidence that a sanctuary existed by early 7th century B.C. with a major structure being built by the end of that century ...
Andronicus of Cyrrhus, the designer, seems to have written a book on the winds. A passage in Vitruvius's chapter on town planning in his On Architecture (De architectura) seems to be based on this missing book. The emphasis is on planning street orientations to maximize the benefits, and minimize the harms, from the various winds.
A hemistich (/ ˈ h ɛ m ɪ s t ɪ k /; via Latin from Greek ἡμιστίχιον, from ἡμι-"half" and στίχος "verse") [1] is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama
The Sapphic stanza, named after the Ancient Greek poet Sappho, is an Aeolic verse form of four lines. Originally composed in quantitative verse and unrhymed, since the Middle Ages imitations of the form typically feature rhyme and accentual prosody.