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This makes the caesura arguably more important to the Old English verse than it was to Latin or Greek poetry. In Latin or Greek poetry, the caesura could be suppressed for effect in any line. In the alliterative verse that is shared by most of the oldest Germanic languages, the caesura is an ever-present and necessary part of the verse form itself.
As in the Greek trimeter, any long or anceps syllable except the last could be replaced with a double short syllable (u u). As in Greek, there was usually (though not always) a caesura (word-break) after the fifth element. An example of a Latin iambic senarius (from the prologue to Plautus' Aulularia) is the following:
During the years in Athens, he wrote his magnum opus, a rewritten edition of the Architecture of Ancient Greece by William James Anderson (1844–1900) and Richard Phené Spiers (1838–1916); it first appeared in 1927 and would go to three editions and be a mainstay for the teaching of Greek architecture through the twentieth century.
Ancient Greek architecture is best known for its temples, many of which are found throughout the region, with the Parthenon regarded, now as in ancient times, as the prime example. [2] Most remains are very incomplete ruins, but a number survive substantially intact, mostly outside modern Greece.
In poetry, a hendecasyllable (as an adjective, hendecasyllabic) is a line of eleven syllables.The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry.
A hemistich (/ ˈ h ɛ m ɪ s t ɪ k /; via Latin from Greek ἡμιστίχιον, from ἡμι-"half" and στίχος "verse") [1] is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama
When the 3rd foot is a dactyl, the caesura can come after the second syllable of the 3rd foot; this is known as a weak or feminine caesura. It is more common in Greek than in Latin. [7] An example is the first line of Homer's Odyssey: ἄνδρα μοι / ἔννεπε, / μοῦσα, πο/λύτροπον, / ὃς μάλα / πολλὰ
The pediment begins in Ancient Greek architecture; according to the mid-fifth century BCE poet Pindar, it was a Corinthian invention. [4] It is possible that it was devised specifically to contain sculpture, which from the early 6th century became "customary (though never obligatory)" in Doric temples; in Ionic ones it was a "rarity". [5]