Search results
Results From The WOW.Com Content Network
Altar frontal of Italian opera di commessi, Dubrovnik Cathedral Detail of design with roses over crossed canes, 1882. Pietra dura (Italian: [ˈpjɛːtra ˈduːra]), pietre dure ([ˈpjɛːtre ˈduːre]) or intarsia lapidary [1] (), called parchin kari or parchinkari (Persian: پرچین کاری) in the Indian Subcontinent, is a term for the inlay technique of using cut and fitted, highly ...
Painted wall plaster indicates that most of the rooms were decorated in a variety of colours and patterns and the houses also had sophisticated and colourful mosaic floors. [ 5 ] [ 6 ] Earlier excavations indicated that instead of a forum , there was a simple open marketplace at the centre.
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
In reference to work on picture frames and paintings moulded and gilded gesso is still commonly described as pastiglia, [3] but in recent decades writers on furniture and the decorative arts tend to distinguish between this and "true" pastiglia, or white lead pastiglia [4] which is defined as being made from white lead powder, made by combining powdered lead and vinegar in an anaerobic ...
Chalkware flourished during the mid-century modern era (1945-1965) as an inexpensive and expressive medium for the home, serving many types of taste and types of decorative need with table lamps, figurines, wall decor and tourist memorabilia.
Wall inscriptions were in black and red [clarification needed] on plaster. [18] At least one piece is a multi-color work. Contributing to difficulty, the "incriptions (sic) reveal odd data at different angles" [19] or photos may mislead. The reverse of pithos A has a line of ambiguous mammals including most clearly a boar.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The oldest method, known as the a massello technique, involves cutting the wall and removing a considerable part of it together with both layers of plaster and the fresco painting itself. The stacco technique, on the other hand, involves removing only the preparatory layer of plaster, called the arriccio together with the painted surface.