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Consequences is the debut album by English pop artists Godley & Creme.It was released in 1977 as a boxed triple-LP.. Created as a concept album, it incorporates a play, with all characters voiced by comedian Peter Cook, and singing by Sarah Vaughan, who was brought into the project by Phonogram after trying to secure Ella Fitzgerald.
Kevin Godley and Lol Creme met in the late 1950s and for a brief time were in an amateur band together. In the early 1960s they joined white R&B combo The Sabres (The Magic Lanterns) together. [2] Though they played in different bands, with Godley briefly in The Mockingbirds with Graham Gouldman, who would later work with Godley and Creme in 10cc.
The album was played almost completely by Godley and Creme, except for saxophones, and a brief vocal cameo by Paul Gambaccini. The lyrics retained the satirical stance of some 10cc material, with songs such as "The Sporting Life" and "Art School Canteen", which deal with suicide and art school angst.
It should only contain pages that are Godley & Creme albums or lists of Godley & Creme albums, as well as subcategories containing those things (themselves set categories). Topics about Godley & Creme albums in general should be placed in relevant topic categories .
Godley & Creme, English rock duo composed of Kevin Godley and Lol Creme; Changing Faces – The Very Best of 10cc and Godley & Creme, released in 1987; Cry (Godley & Creme song), released in 1985; Consequences (Godley & Creme album), released in 1977; Freeze Frame (Godley & Creme album), released in 1979
Consequences (Dave Burrell album), 2006; Consequences (Endwell album) or the title song, 2009; Consequences (Godley & Creme album), 1977; Consequences (Joan Armatrading album) or the title song, 2021; Consequences (The Missionary Position album), 2012; Consequences (New York Contemporary Five album) or the title track, 1963; Consequences (Peter ...
In keeping with Godley's idea to focus on the voices, only a few instruments were used: a Fender Rhodes electric piano played by Stewart, a Gibson 335 electric guitar played by Gouldman for the rhythm melody, and a bass drum sound played by Godley on a Moog synthesizer which Creme had recently purchased and learned how to program. The drum ...
A widely repeated claim, disputed by King [21] and Godley, [22] but confirmed in a 1988 interview with Creme, [23] is that the band name represented ten cubic centimetres, a volume of semen that was the average amount ejaculated (according to Creme), thus emphasizing their potency or prowess.