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A sleeve tattoo or tattoo sleeve is a large tattoo or collection of smaller tattoos that covers most or all of a person's arm. There is a difference between an arm covered in tattoos and a sleeve tattoo: a sleeve tattoo has a unified theme, whereas an arm covered in tattoos may have many tattoos of different styles that does not have an overall ...
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
The SS blood group tattoo was applied, in theory, to all Waffen-SS members, except members of the British Free Corps. It was a small black ink tattoo located on the underside of the left arm near the armpit. [2] It generally measured around 7 millimetres (1 ⁄ 4 in) long and was placed roughly 20 centimetres (8 in) above the elbow.
The tattoo art was a sacred marker of identity among the Māori and also referred to as a vehicle for storing one's tapu, or spiritual being, in the afterlife. [97] One practice was after death to preserve the skin-covered skull known as Toi moko or mokomokai. In the period of early contact between Māori and Europeans these heads were traded ...
Men of tattoo communities are expected to be "heavily tattooed", meaning there are many tattoos which cover multiple parts of the body, and express aggressive or masculine images, such as skulls, zombies, or dragons. Women, on the other hand, are expected to be "lightly tattooed".
Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a , the equivalent tattoo for males.
Groups such as the Scythians collected the skulls of the vanquished to make a skull cup. [8] In the Japanese invasions of Korea (1592–1598), the noses and ears of slain Koreans and Chinese were collected and brought back to Japan, where they were placed in the Mimizuka monument in Kyoto. As of 2024, it still stands. [9]
He was not the only Aztec god to be depicted in this fashion, as numerous other deities had skulls for heads or else wore clothing or decorations that incorporated bones and skulls. In the Aztec world, skeletal imagery was a symbol of fertility, health and abundance, alluding to the close symbolic links between life and death. [4]