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Two copies of the painting were produced. The two paintings and a study depict a witch or sorceress using a wand to draw a fiery magic circle on the Earth to create a ritual space for her ceremonial magic. As was common in the period, Waterhouse repeated his subject on a smaller scale, probably at the request of a collector.
The Magician from the Waite–Smith tarot, who is depicted using the same tools that modern Wiccans use. In the neopagan religion of Wicca a range of magical tools are used in ritual practice. [1] Each of these tools has different uses and associations and are commonly used at an altar, inside a magic circle.
Witches' Sabbath (Spanish: El Aquelarre) [1] is a 1798 oil painting on canvas by the Spanish artist Francisco Goya. Today it is held in the Museo Lázaro Galdiano, Madrid. It depicts a Witches' Sabbath. It was purchased in 1798 along with five other paintings related to witchcraft by the Duke and Duchess of Osuna. [2]
The witch in the middle also holds a dirty cloth above her head, referencing both the corporal and altar cloth a priest would use to display the monstrance. [ 3 ] On the upper-left of the image, to the left of the witch flying on a goat, there is a figure obscured by the vapors coming out of the unguent jar. [ 4 ]
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In the "kitchen witchcraft" tradition, witches are encouraged to use magical tools for mundane purposes to increase the witch's familiarity with them. The ritual drawing of the boundary of the magic circle – also known as "casting the circle" – is usually done with either a ritual sword or an athame, in traditional coven practice. For open ...
The Witches' Kitchen [1] (Spanish: La cocina de las brujas or Berganza y Cañizares) is a painting by the Spanish artist Francisco Goya, located in a private collection in Mexico. It is part of a series of six cabinet paintings, each measuring approximately 43 × 30 cm, with the theme of witchcraft.
Rosaleen Miriam Norton (2 October 1917 – 5 December 1979), [1] who used the name of "Thorn", was an Australian artist and occultist, in the latter capacity adhering to a form of pantheistic / Neopagan Witchcraft largely devoted to the Greek god Pan.