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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
One book of music from Rare Book Room, which contains digitized books of many types. Laborde Chansonnier – ca. 1470 – Unknown, (author) – France – Library of Congress, Music Division Rare Book Room of the Library of Congress: Lester S. Levy Collection of Sheet Music: 19th-century, American, minstrel music, popular music, war songs: 29,000
A 1976 remake of "Don't Leave Me This Way" by Motown artist Thelma Houston was a number-one hit on the US pop chart. The Blue Notes' version on the album, Wake Up Everybody, was not released as a single in the US at the time, but proved to be the group's biggest hit in the UK (number 5) when released there as a single in 1977. [1]
The chord notation N.C. indicates the musician should play no chord. The duration of this symbol follows the same rules as a regular chord symbol. This is used by composers and songwriters to indicate that the chord-playing musicians (guitar, keyboard, etc.) and the bass player should stop accompanying for the length covered by the "No Chord ...
To Be True is an album released by Harold Melvin & the Blue Notes on the Philadelphia International record label in February 1975. It was produced by Kenneth Gamble & Leon Huff . The album features the hit singles " Bad Luck ", " Hope That We Can Be Together Soon " with Sharon Paige, and "Where Are All My Friends".
"Bad Luck" is a song recorded by American vocal group Harold Melvin & the Blue Notes from their album To Be True. Released as a single in 1975 by Philadelphia International Records, the song was written by Victor Carstarphen, Gene McFadden, and John Whitehead and produced by Gamble and Huff, with MFSB providing instrumentals.
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.