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Greyhound is a 2020 American war film directed by Aaron Schneider and starring Tom Hanks, who also wrote the screenplay. [5] The film is based on the 1955 novel The Good Shepherd by C. S. Forester, and follows a US Navy commander on his first assignment commanding a multi-national escort destroyer group of four, defending an Allied convoy from U-boats during the Battle of the Atlantic.
The Good Shepherd is a 1955 British novel about naval warfare during World War II, by C. S. Forester, exploring the difficulties of the Battle of the Atlantic, specifically as seen through the eyes of the United States commander of an escort fleet during a 52-hour period: the crews' struggle against the sea, the enemy, and the exhaustion brought on by constant vigilance.
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The last time Tom Hanks played the captain of a big ship, he was fighting Somali pirates in “Captain Phillips,” a kinetic, immersive big-screen experience that was nominated for six Academy ...
Films about greyhound racing, an organized, competitive sport in which greyhounds are raced around a track. There are two forms of greyhound racing, track racing (normally around an oval track) and coursing ; the latter is now banned in most countries.
"Greyhound" is a single by the Swedish house music supergroup Swedish House Mafia. The track was released worldwide on 12 March 2012 as the third single from the album Until Now, released as a digital download on the iTunes Store. The song was created to promote a new drink for Absolut, Absolut Greyhound.
Initially an FTP search engine, MP3.com becomes a hosting service for unsigned artists. It serves 4 million audio file downloads per day at its peak and becomes the largest technology IPO in July 1999. The release of My.MP3.com in January 2000, which allowed users to stream their own files, would prompt litigation. In May 2000, UMG v.
On review aggregator website Rotten Tomatoes, the film has an 67% approval rating based on 6 reviews, with an average ranking of 5.7/10. [1]William Thomas of Empire wrote "There's promise in the bursts of dark humour, but these are few and far between, only serving to remind us how much better directors like Ken Loach have dealt with the coming-of-age genre".