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"Bombtrack" is a song by American rock band Rage Against the Machine. It is the band’s third single and the opening track on their self-titled debut album . Like most of Rage Against the Machine's songs, the song's lyrics discuss social inequality , proclaiming that " landlords and power whores" were going to "burn".
Rage Against the Machine is the debut studio album by American rock band Rage Against the Machine. [6] It was released on November 6, 1992, by Epic Records , [ 7 ] four days after the release of the album's first single, " Killing in the Name ".
Rage Against the Machine (often abbreviated as RATM or shortened to Rage) was an American rock band formed in Los Angeles, California in 1991. The band consisted of vocalist Zack de la Rocha , bassist and backing vocalist Tim Commerford , guitarist Tom Morello , and drummer Brad Wilk .
Rage Against the Machine in 2007. Rage Against the Machine was an American rock band from Los Angeles, California. Formed in 1991, the group consisted of vocalist Zack de la Rocha, guitarist Tom Morello, bassist Tim Commerford and drummer Brad Wilk. [1]
[2] [3] Rage Against the Machine singles "Killing in the Name", "Bullet in the Head" and "Bombtrack" charted in the United Kingdom and several other regions. [4] The band returned in 1996 with its second studio album Evil Empire, [1] which topped the Billboard 200 and was again certified three times platinum by the RIAA.
Although Rage Against the Machine disbanded in October 2000, their fourth studio album, Renegades, was released two months later. 2003 saw the release of their last album, titled Live at the Grand Olympic Auditorium, an edited recording of the band's final two concerts on September 12 and 13, 2000 at the Grand Olympic Auditorium in Los Angeles ...
The rock band and newest inductees to the Rock & Roll Hall of Fame split at the turn of the century.
"Testify" is a song by American rock band Rage Against the Machine. It is the opening track from their third album The Battle of Los Angeles (1999), and was released as the third single from the album. The cover of the single was taken from the 1968 Olympics Black Power Salute.