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Modern sustainable artists include artists who are using non-toxic, sustainable materials in their art practices as well as integrating conceptual ideas of sustainability into their work. Washington, DC–based glass sculptors Erwin Timmers [16] and Alison Sigethy incorporate some of the least recycled building materials; structural glass.
Land Art Generator Initiative (LAGI), founded by Elizabeth Monoian and Robert Ferry, [1] is an organization dedicated to devising alternative energy solutions through sustainable design and public art [2] by providing platforms for scientists and engineers to collaborate with artists, architects and other creatives on public art projects that generate sustainable energy infrastructures. [3]
The idea of renewable energy sculptures has been developed by artists including Patrice Stellest, Sarah Hall, Julian H. Scaff, Patrick Marold, Elena Paroucheva, architects Laurie Chetwood and Nicholas Grimshaw, University of Illinois professor Bil Becket, and collaborations such as the Land Art Generator Initiative.
Robert Morris, Observatorium, Netherlands. The growth of environmental art as a "movement" began in the late 1960s and early 1970s. In its early phases it was most associated with sculpture—especially Site-specific art, Land art and Arte povera—having arisen out of mounting criticism of traditional sculptural forms and practices that were increasingly seen as outmoded and potentially out ...
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations.
The Sustainable Art House established by the artist has 450m2 indoor and 300m2 outdoor area. The Sustainable Art House generates its own electricity with solar panels and transforms rainwater, household waste is used in organic agriculture. The building is the first sustainable art house as a fully insulated and self-sufficient building.
The Tempestry Project is a collaborative fiber arts project that presents global warming data in visual form through knitted or crocheted artwork. The project is part of a larger "data art" movement and the developing field of climate change art, which seeks to exploit the human tendency to value personal experience over data by creating accessible experiential representations of the data.
Superflex is a Danish artist group founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen. Superflex describe their projects as Tools, as proposals that invite people to participate in and communicate the development of experimental models that alter the economic production conditions. Often the projects are assisted by ...