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Mott cells with Russell bodies (red arrows), compared to an almost normal plasma cell (white arrow; it has a prominent nucleolus). Plasmacytoma with abundant Russell bodies. H&E stain. Dutcher and Russell bodies. H&E stain. Russell bodies are inclusion bodies usually found in atypical plasma cells that become known as Mott cells. [1]
The painting was inspired by Gibb's reading of Alexander Kinglake's book The Invasion of the Crimea.It shows the blue-coated Russian cavalry within a few yards of the red-coated British infantry, much closer than was actually the case in the battle: in reality, the cavalry came no closer than 100–200 yards (91–183 m).
Description: Aspects of twentieth century painting : [catalogue of an exhibition] lent by the Solomon R. Guggenheim Museum, New York, shown at the Worcester Art Museum, February 7 through April 7, 1963
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts, in Washington, D.C.. Ruysch has been recorded as making pendant paintings, with one painting of flowers (called a "bloemstuk") and another of fruit ("fruitstuk"), often on a forest floor. A pendant to this painting is unknown.
Self-Portrait with Two Circles is an oil-on-canvas painting by the Dutch artist Rembrandt, painted c. 1665 –1669, [1] one of over 40 painted self-portraits by Rembrandt. [2] In the portrait, Rembrandt holds his palette, brushes, and maulstick. The painting is notable for its monumentality and the enigmatic background consisting of a shallow ...
Oil paint on canvas board More images: 1901 to 1903 Akhtyrka, Park: Musée National d'Art Moderne, Paris 23.7 x 32.8 Oil paint on canvas board More images: 1901 to 1905 Binz auf Rügen (Twilight) Musée National d'Art Moderne, Paris 23.2 x 32.8 Oil paint on canvas board More images: 1902 Kochel, the Bridge: Stedelijk Museum Amsterdam More ...
Russell was born into a wealthy engineering family in 1858 in Sydney, New South Wales. The family business, P.N. Russell & Co, was responsible for much of the city's 19th-century ironwork. [1] Although Russell had a strong interest in art from an early age, he met his parents' expectations and trained in the 1870s to become an engineer. [2]