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The Apollo of Veii is a life-size painted terracotta Etruscan statue of Aplu , designed to be placed at the highest part of a temple. The statue was discovered in the Portonaccio sanctuary of ancient Veii , Latium , in what is now central Italy , and dates from c. 510-500 BC .
The Portonaccio Sanctuary of Minerva was the first Tuscan–type, i.e., Etruscan, temple erected in Etruria (about 510 BCE). [1] The reconstruction proposed for it in 1993 by Giovanni Colonna together with Germano Foglia, presents a square 60 feet (18 m) construction on a low podium (about 1.8 metres, considering the 29 cm foundation) and divided into a pronaos with two columns making up the ...
Apollo of Veii, dating from around 510 BC, in the Villa Giulia museum of Rome. Fidenae and Veii were said to have again been defeated by Rome in the 7th century BC during the reign of Rome's third king Tullus Hostilius. In the 6th century BC Rome's sixth king Servius Tullius warred against Veii (after the expiry of an earlier truce) and the ...
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One of the best known examples of free-standing or isolated statue of this phase is the cult sculpture of Apollo of Veii, currently in the National Etruscan Museum of Villa Giulia. [1] During this period important changes were made in sculpture also due to changes in the field of architecture and religion.
The Apollo of Veii [2] The Cista Ficoroni; A reconstructed frieze displaying Tydeus eating the brain of his enemy Melanippus; The Tita Vendia vase; The Sarpedon Krater (or, the "Euphronios Krater") - this is now at the Archaeological Museum of Cerveteri, it was at the Villa Giulia from 2008 to 2014; The Centaur of Vulci; Phoenician metal bowls
Vulca was an Etruscan artist from the town of Veii. The only Etruscan artist mentioned by ancient writers, he worked for the last of the Roman kings, Tarquinius Superbus (who died in 495 BC). [ 1 ] He is responsible for creating a terracotta statue of Jupiter that was inside the Temple of Jupiter Optimus Maximus on the Capitoline Hill , and ...
A local artist in Veii around the period was known as the Narce Painter. [1] He painted one of the vases found in the tomb, however he is not believed to have created the famous fresco paintings. The Narce Painter draws his lions in a different way to the frescos – giving them thinner, less protruding tongues. [ 1 ]