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The similarity is a function such that its value is greater when two points are closer (contrary to the distance, which is a measure of dissimilarity: the closer the points, the lesser the distance). The definition of the similarity can vary among authors, depending on which properties are desired. The basic common properties are Positive defined:
A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Similarity (geometry), the property of sharing the same shape; Matrix similarity, a relation between matrices; Similarity measure, a function that quantifies the similarity of two objects Cosine similarity, which uses the angle between vectors; String metric, also called string similarity; Semantic similarity, in computational linguistics
Training in the visual arts has generally been through variations of the apprentice and workshop systems. In Europe, the Renaissance movement to increase the prestige of the artist led to the academy system for training artists, and today most of the people who are pursuing a career in the arts train in art schools at tertiary levels.
[11] In other words, a condensation is when more than one displacement occurs towards the same idea. In 1957, Jacques Lacan , inspired by an article by linguist Roman Jakobson , argued that the unconscious has the same structure of a language, and that condensation and displacement are equivalent to the poetic functions of metaphor and metonymy .
Both identity and exact similarity or indiscernibility are expressed by the word "same". [16] [17] For example, consider two children with the same bicycles engaged in a race while their mother is watching. The two children have the same bicycle in one sense (exact similarity) and the same mother in another sense (identity). [16]
The initial core set of terms was derived from authority lists and the literature of art and architectural history; this core set was reviewed, approved and added to by an advisory team made up scholars from all relevant disciplines, including art and architectural historians, architects, librarians, visual resource curators, archivists, museum personnel, and specialists in thesaurus construction.