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"Paint It Black" [a] is a song by the English rock band the Rolling Stones. A product of the songwriting partnership of Mick Jagger and Keith Richards, it is a raga rock song with Indian, Middle Eastern and Eastern European influences and lyrics about grief and loss.
Ravi Shankar, a master of the instrument, was the first to make inroads into Western culture with the sitar.. While the sitar had earlier been used in jazz and Indian film music, it was from the 1960s onwards that various pop artists in the Western world began to experiment with incorporating the sitar, a classical Indian stringed instrument, within their compositions.
Raga rock is rock or pop music with a pronounced Indian influence, either in its construction, its timbre, or its use of Indian musical instruments, such as the sitar, tambura, and tabla. The term "raga" refers to the specific melodic modes used in Indian classical music. The style emerged as part of the psychedelic rock aesthetic in the 1960s. [1]
Paint Dancers, using paint, brushes and paper, attend organized events dressed in ready-to-paint and dance clothing. The concept of combining movement and painting originated during the later part of the American and European Modern art period; however, Evangeline Welch of Shreveport, Louisiana has been credited with being the "brainchild" of ...
The historical significance of Black popular music in American culture is powerful. Even former President Jimmy Carter dedicated a month to African American music appreciation beginning in 1979.
Definitions of what constitutes dance are dependent on social, cultural, aesthetic, artistic, and moral constraints and range from functional movement (such as folk dance) to codified, virtuoso techniques such as ballet. [4] There is one another modern form of dance that emerged in 19th- 20th century with the name of free dance style. This form ...
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
She often based her dances on the work of black writers and on racial issues, such as Langston Hughes's 1944 The Negro Speaks of Rivers, and Lewis Allan's 1945 Strange Fruit (1945). Her dance company developed into the Pearl Primus Dance Language Institute. [6] Alvin Ailey (1931-1989) studied under Lester Horton, Bella Lewitzky, and later ...