Ads
related to: famous paintings of pirate ships
Search results
Results From The WOW.Com Content Network
Engraving of the English pirate Blackbeard from the 1724 book A General History of the Pyrates Pirates fight over treasure in a 1911 Howard Pyle illustration.. In English-speaking popular culture, the modern pirate stereotype owes its attributes mostly to the imagined tradition of the 18th-century Caribbean pirate sailing off the Spanish Main and to such celebrated 20th-century depictions as ...
Most pirates in this era were of Welsh, English, Dutch, Irish, and French origin. Many pirates came from poorer urban areas in search of a way to make money and of reprieve. London in particular was known for high unemployment, crowding, and poverty which drove people to piracy. Piracy also offered power and quick riches. [citation needed]
The ship that would be known as Queen Anne's Revenge was a 200-ton vessel believed to have been built in 1710. She was handed over to René Duguay-Trouin and employed in his service for some time before being converted into a slave ship, then operated by the leading slave trader René Montaudin of Nantes, until sold in 1713 in Peru or Chile.
Like Anne Bonny, Mary Read was one of two famous female pirates dressed like a man aboard John Rackham’s ship. Read was an illegitimate child. She was born around 1690 in Plymouth, England, to a ...
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
A Spanish galleon (left) firing its cannons at a Dutch warship (right). Cornelis Verbeeck, c. 1618–1620 A Spanish galleon Carracks, galleon (center/right), square rigged caravel (below), galley and fusta (galliot) depicted by D. João de Castro on the "Suez Expedition" (part of the Portuguese Armada of 72 ships sent against the Ottoman fleet anchor in Suez, Egypt, in response to its entry in ...