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The Yan'an Talks outlined the CCP's policy on "mass culture" (Chinese: 群众文化; pinyin: qúnzhòng wénhuà) in China, which was to be "revolutionary culture" (Chinese: 革命文化; pinyin: gémìng wénhuà). The core concept of the Yan'an Talks was that art should translate the ideas of the Chinese Communist Revolution for rural peasants.
During the ten years of the Cultural Revolution (1966–1976), the People's Publishing House published 870 different editions of Selected Works of Mao Tse-Tung (Volumes 1–4), with a total of 325 million paperbacks and 2.55 million hardcover copies of the Chinese editions created. The Selected Works were also translated into a 14 different ...
The rhetoric of the Hunan Report was taken up by radicals in the Chinese Cultural Revolution and by radical groups around the world, such as the Naxalites in India and the Shining Path in Peru, to follow Mao's example to "surround the cities from the countryside" by building power in the villages with violence.
The Xinhai Revolution (Chinese: 辛亥革命; pinyin: Xīnhài Gémìng) was a republican revolution which overthrew the Qing dynasty and led to the establishment of the Republic of China. The revolution ended the monarchy which had a history for 4000 years in China and replaced it with a republic, with democratic ideals.
Red Scarf Girl is a historical memoir written by Ji-li Jiang about her experiences during the Cultural Revolution of China, with a foreword by David Henry Hwang.. Ji-li Jiang was very important in her classroom and was respected until 1966 when the Cultural Revolution started.
Huang claimed that the Cultural Revolution had massive effects on Chinese society because of the extensive use of political slogans. [157] He claimed that slogans played a central role in rallying Party leadership and citizens. For example, the slogan "to rebel is justified" (造反有理; zàofǎn yǒulǐ) affected many views. [157]
In 1939, Mao Zedong claimed that the May Fourth Movement was a stage leading toward the fulfillment of the Chinese Communist Revolution: The May Fourth Movement twenty years ago marked a new stage in China's bourgeois-democratic revolution against imperialism and feudalism.
Most of what is known about Qian's early life relies on an essay written by his wife Yang Jiang. [6] Born in Wuxi, Qian Zhongshu was the son of Qian Jibo (錢基博), a conservative Confucian scholar, landed gentry, and Chinese language professor at Tsinghua, St. John's University, and National Central University (Nanking), respectively.