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Rideau, Cruchon et Compotier (English: Curtain, Jug and Fruit Bowl) is an oil on canvas painting created c. 1893 to 1894 by French artist Paul Cézanne.It is a formal still life composition that displays Cézanne's exploration of form, balance and symmetry in objects.
Fruit Bowl on a Table is a c. 1934 still-life oil painting by the French artist Pierre Bonnard which was bought by the city of Strasbourg in 1995 from the heiresses of Claude Roger-Marx. Today this painting is in the Musée d'Art moderne et contemporain .
Modern bowls can be made of ceramic, metal, wood, plastic, and other materials. Bowls have been made for thousands of years. Very early bowls have been found in China, Ancient Greece, Crete and in certain Native American cultures. In Ancient Greek pottery, small bowls, including phiales and pateras, and bowl-shaped cups called kylices were used
Historic pewter, faience and glass tableware. In recent centuries, flatware is commonly made of ceramic materials such as earthenware, stoneware, bone china or porcelain.The popularity of ceramics is at least partially due to the use of glazes as these ensure the ware is impermeable, reduce the adherence of pollutants and ease washing.
The Fruit Bowl is an early 20th century drawing by Juan Gris. The work was produced as part of a collaboration between Gris and Pierre Reverdy to commission a book filled with lithographs made from the former's paintings. The project was interrupted by the onset of World War I in 1914 and never finished.
A Phoenician silver-gilt bowl from the Walters Art Museum showing a hunting scene, originally discovered in the Tomba Barberini. Phoenician metal bowls are approximately 90 decorated bowls made in the 7th–8th centuries BCE in bronze, silver and gold (often in the form of electrum), found since the mid-19th century in the Eastern Mediterranean and Iraq. [1]