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"Creeque Alley" is an autobiographical hit single written by John Phillips and Michelle Phillips of the Mamas and the Papas in late 1966, narrating the story of how the group was formed, and its early years. The third song on the album Deliver, it peaked at number 5 on the US Billboard pop singles chart the week of Memorial Day 1967,
Besides the dominant seventh chords discussed above, other seventh chords—especially minor seventh chords and major seventh chords—are used in guitar music. Minor seventh chords have the following fingerings in standard tuning: Dm7: [XX0211] Em7: [020000] Am7: [X02010] Bm7: [X20202] F ♯ m7: [202220] or ([XX2222] Also an A/F ♯ Chord)
Songwriter Harlan Howard once said "country music is three chords and the truth." [2] Lou Reed said "One chord is fine. Two chords is pushing it. Three chords and you're into jazz." [3] Reed nevertheless wrote many songs with unique or complex chord progressions himself, such as the material on Berlin.
Though the notes of an arpeggio are not sounded simultaneously, listeners may effectively hear the sequence of notes as forming a chord if played in quick succession. When an arpeggio also contains passing tones that are not part of the chord, certain music theorists may analyze the same musical excerpt differently.
"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
"Johnny Guitar" is a song written by Peggy Lee (lyrics) and Victor Young (music) and was the title track of the 1954 film of the same name, directed by Nicholas Ray and starring Joan Crawford. The music loosely echoes several themes from Spanish Dance No. 5: Andaluza by Enrique Granados , which was written for piano, but is often played on ...
Take Me to the Alley is the fourth studio album by Gregory Porter, released on May 6, 2016, through Blue Note Records. It earned Porter a 2017 Grammy Award for Best Jazz Vocal Album. [13] The album was recorded in Hollywood and New York City between September and October 2015. [14]
The original 1978 vinyl release of the soundtrack omitted some of the material. The design of the record's inner sleeve reflected the Apple/EMI 1962–1966 ("Red") and 1967–1970 ("Blue") compilation Beatles albums released in 1973, with printed lyrics, red, blue and white layouts, and the track listing for the two album sides using similar periods (side one: 1962–67, side two: 1967–70).