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Ceramic dogs are widely known from looted tombs in Colima. Dogs were generally believed in Mesoamerican cultures to represent soul guides of the dead [32] and several dog ceramics wear human masks. [33] Nonetheless, it should also be noted that dogs were often the major source of animal protein in ancient Mesoamerica. [34]
The detail and artistic quality of women, men, dogs, parrots, bats, snakes, etc., sculptures, evidence that artists carefully observed those everyday items. [8] Who were these special ancestors? Recent excavations in Colima and Michoacán enable us to recognize at least two roots, as old as the Olmec. These are Capacha and El Opeño. Capacha ...
Tombs at Colima have hallow figures of animals, humans and plants which are made from warm brown slip (watery clay molded by hand). Other figurines that are also found at this site are ceramic dogs. Ceramic dogs are hairless dogs and are very important to their culture as they have multiple roles in the underworld.
La Campana is an archaeological site included in the Mexican archaeological heritage list since 1917. Located in the vicinity of the city of Colima. This site was the largest prehispanic population center in western Mexico.
The period was famous for exquisitely carved ivories, but discoveries of clay and bronze figurines of dogs tell us something about the roles of dogs who lived 2,500-plus years ago.
The Aztec day sign Itzcuintli (dog) from the Codex Laud. Dogs have occupied a powerful place in Mesoamerican folklore and myth since at least the Classic Period right through to modern times. [1] A common belief across the Mesoamerican region is that a dog carries the newly deceased across a body of water in the afterlife.