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Hitchcock/Truffaut is a 1966 book by François Truffaut about Alfred Hitchcock, originally released in French as Le Cinéma selon Alfred Hitchcock. [1]First published by Éditions Robert Laffont, it is based on a 1962 dialogue between Hitchcock and Truffaut, [2] in which the two directors spent a week in a room at Universal Studios talking about movies.
Hitchcock/Truffaut received critical acclaim. On Rotten Tomatoes, the film has a 95% score based on 110 reviews, with an average rating of 7.7/10.The site's consensus states: "Essential viewing for cineastes while still offering rich rewards for neophytes, Hitchcock/Truffaut offers an affectionate -- and well-crafted -- tribute to a legend". [6]
The two films are very similar in tone. In the book-length interview Hitchcock/Truffaut (1967), in response to filmmaker François Truffaut's assertion that aspects of the remake were by far superior, Hitchcock replied, "Let's say the first version is the work of a talented amateur and the second was made by a professional." However, some ...
Hitchcock wanted to cast Robert Donat – with whom he had previously worked in The 39 Steps (1935) – as Spencer, but was forced to cast another actor (John Loder) owing to Donat's chronic asthma. [ 1 ] [ 4 ] [ 5 ] According to Hitchcock, in his interviews with the French director François Truffaut , Alexander Korda , to whom Donat was under ...
He wrote Hitchcock/Truffaut (1966), a book-length interview with his hero Alfred Hitchcock which tied for second on Sight and Sound's list of the greatest books on film. [5] Truffaut paid homage to Hitchcock in The Bride Wore Black (1968), Mississippi Mermaid (1969) and his last film, Confidentially Yours (1981).
Hitchcock's recollection of this original ending—in his book-length interview with François Truffaut, published in English as Hitchcock/Truffaut in 1967—is that Lina's letter tells her mother she knows that Johnnie is killing her, but that she loves him too much to care. [3] A musical leitmotif is introduced in Suspicion.
On 13 August 1962, Hitchcock's 63rd birthday, the French director François Truffaut began a 50-hour interview of Hitchcock, filmed over eight days at Universal Studios, during which Hitchcock agreed to answer 500 questions. It took four years to transcribe the tapes and organise the images; it was published as a book in 1967, which Truffaut ...
François Truffaut in his book of interviews with Hitchcock popularized the idea that Boileau and Narcejac wrote The Living and the Dead specifically for Hitchcock. [1] They heard that he was trying to purchase the rights to She Who Was No More but was outbid by Henri-Georges Clouzot and was jealous of the success of Les Diaboliques. However ...