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Bishop in choir dress with train Choir dress of a Cistercian nun: a long white cowl Norbertine abbot in white prelate choir dress, 18th century Monsignor Herrincx in Franciscan brown prelate choir dress Benedictine Abbot Schober in black prelate choir dress and black fur cappa magna Roman Catholic secular canons in choir dress: cassock, rochet, mozzetta, and pectoral cross on chain.
A school choir wearing cassocks under surplices. Cassocks are sometimes also worn by readers, altar servers, and choir members, when they do this is the double-breasted style. Readers and altar servers usually wear black cassocks, but those worn by choirs are usually coloured. [citation needed]
The color of the mozzetta, which is only worn over a cassock and sometimes other choral vestments, represents the hierarchical rank of the person wearing it.Cardinals wear a scarlet mozzetta, while bishops and those with equivalent jurisdiction (e.g., apostolic administrators, vicars apostolic, exarchs, prefects apostolic, territorial prelates, and territorial abbots, if not bishops) wear an ...
Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity.
Cassock and gown were worn as an outdoor dress until the beginning of the nineteenth century, with the Canterbury cap being replaced by the mortarboard or tri-corn hat latterly. Increasingly, though, ordinary men's clothing in black, worn with a white shirt and either a black or white cravat, replaced the dress prescribed by the Canons. [10]
It seems most probable that the surplice first appeared in France or England, from whence its use gradually spread to Italy [citation needed]. It is possible that there is a connection between the surplice and the Gallican or Celtic alb, an ungirdled liturgical tunic of the old Gallican Rite, which was superseded during the Carolingian era by the Roman Rite.