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The use of the word "generative" in the discussion of art has developed over time. The use of "Artificial DNA" defines a generative approach to art focused on the construction of a system able to generate unpredictable events, all with a recognizable common character.
Tree of life at the Museo de Arte Popular in Mexico City, by Oscar Soteno. A Tree of Life (Spanish: Árbol de la vida) is a type of Mexican pottery sculpture traditional in central Mexico, especially in the municipality of State of Mexico. Originally the sculptures depicted the Biblical story of creation, as an aid for teaching it to natives in ...
Your Next Life (Spanish: La vida que te espera) is a 2004 Spanish rural thriller and romantic drama film directed by Manuel Gutiérrez Aragón. It stars Juan Diego , Luis Tosar and Marta Etura alongside Clara Lago , Celso Bugallo and Víctor Clavijo .
Bio-Arte is a feminist art collective, made up of the artists Nunik Sauret, Laita, Roselle Faure, Rose Van Lengen and Guadalupe García. [1] It was founded in September 1983, with its first exhibition taking place at the Museo Nacional de Arte during the colloquium "Bordando sobre la escritura y la cocina" (Embroidering on writing and cooking).
No respira el viento igual, cuando te alejas del sur Si no tiene olor a sal, la nube no serás tú Nube de hielo en la cumbre del ancho mar Nube el silencio que puedes montar Mi juventud, mi adolescencia, y mi edad de jugar Tu veras como mi vida se ira No respira el viento igual, Cuando te alejas del sur Si no tiene olor a sal, La nube no ...
1984 Te Quiero Vida Mía, se me Nubla la Cabeza y no Puedo Amarte Más, Galería Sur, Santiago, Chile. 1986 Instituto Chileno-Norteamericano de Cultura, Concepción, Chile. 1986 La Hora Idiota, Instituto Chileno Norteamericano de Cultura, Concepción, Chile. 1986 Cabeza Partida, Galería Plástica Tres, Santiago, Chile.
Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
Osvaldo Inocencio Cattone Ripamonti was born in Buenos Aires, Argentina on 25 January 1933. [2] From the age of eight, he acted with a troupe called La Pandilla Marylin and at age nine was selected by Enrique Santos Discépolo to be part of the cast for a musical revue in the Teatro Casino, portraying the son of Aída Olivier.