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They Call Me Mister Tibbs! is a 1970 American DeLuxe Color crime drama film directed by Gordon Douglas. The second installment in a trilogy, the release was preceded by In the Heat of the Night (1967) and followed by The Organization (1971). The film's title was taken from a line in the first film. [2] [3]
Let the Fire Burn is a 2013 documentary film about the events leading up to and surrounding a 1985 stand-off between the black liberation group MOVE and the Philadelphia Police Department. The film is directed and produced by Jason Osder and was released by Zeitgeist Films in October 2013. [1]
Opening Title Production company Cast and crew Ref. J A N U A R Y: 1 Scream and Scream Again: American International Pictures / Amicus Productions: Gordon Hessler (director); Christopher Wicking (screenplay); Vincent Price, Christopher Lee, Peter Cushing, Alfred Marks, Judy Huxtable, Michael Gothard, Anthony Newlands, Kenneth Benda, Uta Levka, Yutte Stensgaard, Julian Holloway, Peter Sallis ...
In the Heat of the Night is a 1967 American mystery drama film directed by Norman Jewison, produced by Walter Mirisch, and starring Sidney Poitier and Rod Steiger.It tells the story of Virgil Tibbs (Poitier), a Black police detective from Philadelphia, who becomes embroiled in a murder investigation in a small town in Mississippi.
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Confessions of a Police Captain: Damiano Damiani: Franco Nero, Martin Balsam, Marilù Tolo: Italy: Crime thriller [24] Dirty Harry: Don Siegel: Clint Eastwood, Harry Guardino, Reni Santoni: United States [25] The French Connection: William Friedkin: Gene Hackman, Fernando Rey, Roy Scheider: United States [26] Get Carter: Mike Hodges: Michael ...
The premise of the film concerns Philadelphia Inquirer reporter Jonathan Neumann , who, along with his partner Phil Chadway (Randy Quaid), won the Pulitzer Prize in 1978 for a series of articles exposing Philadelphia mayor Frank Rizzo (Paul Sorvino) and the Philadelphia Police Department for corruption. According to the articles, suspects were ...
Police have historically used full-size, low-expense sedans since the days of the Ford Model A, though many police departments switched to intermediates—such as the Plymouth Satellite, Ford Torino, and AMC Matador—in the 1960s and 1970s. Some state police forces adopted pony cars, such as the Ford Mustang, Chevrolet Camaro, and AMC Javelin ...