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Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator. More modern editions/versions may be available.
Macbeth (Italian pronunciation: [ˈmakbet; makˈbɛt]) [1] is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, Macbeth was Verdi's tenth opera and premiered on 14 March ...
Acts 1 and 2 written, and Act 3 sketched, by Solera Act 3 completed by Piave. 10 Macbeth: Francesco Maria Piave: 4 Italian La Pergola, Florence 14 Mar 1847 Based on work by William Shakespeare: 11 I masnadieri: Andrea Maffei: 4 Italian Her Majesty's Theatre, London 22 Jul 1847 Based on work by Friedrich Schiller: 4a Jérusalem: Temistocle ...
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
Macbeth and Banquo with the Witches by Henry Fuseli. The Three Witches first appear in Act 1, Scene 1, where they agree to meet later with Macbeth. In Act 1, Scene 3, they greet Macbeth with a prophecy that he shall be king, and his companion, Banquo, with a prophecy that he shall generate a line of kings. The prophecies have great impact upon ...
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
In Orson Welles' 1948 film adaptation of Macbeth, the role of King Duncan is reduced. 1.2 is cut entirely as well as generous portions of 1.4. King Duncan is seen briefly in 1.6 as he enters Macbeth's castle amid considerable pomp. The top of 1.4 with its description of Cawdor's execution has been transplanted to this scene.
Larissa Volokhonsky (Russian: Лариса Волохонская) was born into a Jewish family in Leningrad, now St. Petersburg, on 1 October 1945.After graduating from Leningrad State University with a degree in mathematical linguistics, she worked in the Institute of Marine Biology (Vladivostok) and travelled extensively in Sakhalin Island and Kamchatka (1968-1973).