Search results
Results From The WOW.Com Content Network
The Monumento a La Raza at Avenida de los Insurgentes, Mexico City (inaugurated 12 October 1940) Flag of the Hispanic People. In Mexico, the Spanish expression la Raza [1] ('the people' [2] or 'the community'; [3] literal translation: 'the race' [2]) has historically been used to refer to the mixed-race populations (primarily though not always exclusively in the Western Hemisphere), [4 ...
"La Raza" is a song by American rapper Kid Frost. It was released in 1990 as the lead single from his debut studio album Hispanic Causing Panic."La Raza" is Spanish for "the race" or more symbolically "the people" as metonymy; it samples El Chicano's "Viva Tirado" from 1970 (a cover of the famous Gerald Wilson jazz composition).
Guerrero's catchphrase during the latter part of his career with WWE was "Viva La Raza" (which is Spanish for "Long Live the Race"). In the mid parts of his career, Guerrero took the title of "Latino Heat", which was also his theme song in the early 2000s.
Miss Jiménez very reluctantly agrees to buy Eric for $15,000, when suddenly he begins staging a vocal protest in Spanish: "¡Viva la raza! ¡Viva la huelga! ¡Viva la revolución!" (Long live the people! Long live the strike! Long live the revolution!). Soon he snaps the three other models awake and they join in his miniature uprising.
Torres was one of the founders of the Centro Cultural de la Raza, also in San Diego.He helped form Los Toltecas en Aztlán, a Chicano artists group that was instrumental in converting a former water tank [3] in Balboa Park into a museum and cultural center with the specific mission of promoting, preserving and creating Chicano, native Mexicano, Latin American and Indian art and culture.
The parking lot for LA Plaza de Cultura y Artes. ... a ghostly red "Viva la Raza," a "Viva Mexico." ... with legendary figures like Emma Goldman and the Flores Magón brothers addressing crowds in ...
Robert Christgau of The Village Voice named the album the best release of 1994 [9] and described it as "impressionistic fragments coalescing into a self-sustaining aural counterreality."
The band began with a series of demo recordings made by Hidalgo on a home cassette tape four-track machine. The demos were intended for Hidalgo's main group, Los Lobos, but producer/keyboardist Mitchell Froom thought the demos were interesting enough on their own to justify a new side-project.