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Arellius was in high esteem at Rome; and with fair reason, had he not profaned the art by a disgraceful piece of profanity; for, being always in love with some woman or other, it was his practice, in painting goddesses, to give them the features of his mistresses; hence it is, that there were always some figures of prostitutes to be seen in his ...
This large painting depicts the last hours of the life of Roman Emperor Marcus Aurelius. Théophile Gautier, reviewing the painting when it was first shown at the Paris Salon of 1845, describes the scene: The emperor, on his deathbed, recommends his son Commodus to wise men, stoic philosophers like himself. These grave personages, with unkempt ...
Arellius Fuscus, a rhetorician in Greek and Latin at Rome, around the beginning of the first century. He was a tutor of Ovid and Fabianus, and a rival of Marcus Porcius Latro. His son, who had the same name, was also a rhetorician. [3] [4] [5] Quintus Arellius Fuscus, either the father or the son, bore the praenomen Quintus, but it is not ...
Roman Republican art is the artistic production that took place in Roman territory during the period of the Republic, conventionally from 509 BC to 27 BC. The military, political and economic development of the Roman Republic did not coincide with the development of an autonomous artistic civilization.
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Arellius Fuscus (or Aurelius Fuscus) was an ancient Roman orator. He spoke with ease in both Latin and Greek, in an elegant and ornate style. Charles Thomas Cruttwell says that Arellius was an Asiatic, that is, a practitioner of an elevated oratorical style. He was probably the teacher of Ovid (43 BC – 17/18 AD) [1] and Pliny the Elder (23–79).
The monument is seen as a sculpture of art because if its historical frieze. The freize is sculpted by what seems be about teams of 6 or about 46 different carvers. The difference can be spotted in the carvings of the borders of the monument as it runs between the above/below scenes as it goes up the shaft of the column.
Fabius, called Pictor, a Roman artist, descended from the celebrated family of the Fabii, painted principally at Rome. Pictor was the grandfather of the Roman historian Quintus Fabius Pictor . In 304 BC, Pictor decorated the Temple of Salus on the Quirinal Hill , with a representation (presumably) of the battle gained by Bubulcus over the ...