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Her take on life and spirituality sparked a connection between her paintings and her viewers, many of whom remain passionate admirers of her work on the 70th anniversary of her death.
The meaning of spirituality has developed and expanded over time, and various meanings can be found alongside each other. [1] [2] [3] [note 1] Traditionally, spirituality is referred to a religious process of re-formation which "aims to recover the original shape of man", [note 2] oriented at "the image of God" [4] [5] as exemplified by the founders and sacred texts of the religions of the world.
Spiritualist art or spirit art or mediumistic art or psychic painting is a form of art, mainly painting, influenced by spiritualism. Spiritualism influenced art, having an influence on artistic consciousness, with spiritual art having a huge impact on what became modernism and therefore art today.
Theological aesthetics is the interdisciplinary study of theology and aesthetics, and has been defined as being "concerned with questions about God and issues in theology in the light of and perceived through sense knowledge (sensation, feeling, imagination), through beauty, and the arts". [1]
Her take on life and spirituality sparked a connection between her paintings and her viewers, many of whom remain passionate admirers of her work on the 70th anniversary of her death. One of the keys to understand how she achieved this, Jordán said, lies in her self-portraits.
She painted "several series of impressive paintings exploring spiritual or sacred concepts". Her unique style united, in Tessel Bauduin's opinion, "geometric and biomorphic form with a free line". [60] [note 11] Af Klint considered abstract art to be the "spiritual precursor of a utopian social harmony, a world of tomorrow."
Islamic art has reflected this balanced, harmonious world-view. It focuses on spiritual essence rather than physical form. While there has been an aversion to potential idol worship through Islamic history, this is a distinctly modern Sunni view.
Ralph Merrifield, the British archaeologist credited as producing the first full-length volume dedicated to a material approach to magic, [2] defined the differences between religion and magic: "'Religion' is used to indicate the belief in supernatural or spiritual beings; 'magic', the use of practices intended to bring occult forces under ...