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Matsumoto not only wrote the script and directed the film, he also stars as the man trapped in the white room. Being that large parts of the narrative is based on non-verbal communication and set in a singular space, Symbol is comparable to films like Aragami (Ryuhei Kitamura) and the Cube film series.
Seichō Matsumoto (松本 清張, Matsumoto Seichō, December 21, 1909 – August 4, 1992; born Kiyoharu Matsumoto) was a Japanese writer, credited with popularizing detective fiction in Japan. Matsumoto's works broke new ground by incorporating elements of human psychology and ordinary life.
The film depicts a figure sitting in an outdoor environment and wearing a robe and a Hannya mask. [3] [4] The film features receding and shifting images captured in a frame-by-frame manner; though these shots resemble zooms and pans, they were actually derived from positioning the camera on a series of a points.
Ryotaro Nogami/Kamen Rider Den-O (野上 良太郎／仮面ライダー電王, Nogami Ryōtarō/Kamen Raidā Den'ō): A very unlucky young man who discovers the Rider Pass, discovers that he is an individual known as a Singularity Point, and the man destined to become Den-O to fight the Imagin and protect time and space.
Guy Lodge of Variety wrote that while the film is "fully in touch with its very real emotions", it "feels just a little more than it says." [2]Edmund Lee of the South China Morning Post rated the film 2.5 stars out of 5 and wrote that "for all its finer accomplishments, Yukisada’s effort has probably stepped too far out of the line of ethics to find an agreeable audience."
Matsumoto (松本) Matsumoto is Takao's classmate and friend, as well as Satō's boyfriend. [8] He is voiced by Suguru Inoue in Japanese [8] and Mike Yager in English. [9] Satō (佐藤) Satō is a second year student in Takao's high school and friend. [8] She is voiced by Megumi Han in Japanese [8] and Allison Sumrall in English. [9] Aizawa ...
Hana Yori Dango Final: The Movie [3] (花より男子 F (ファイナル), Hana Yori Dango Fainaru) is a 2008 Japanese film [2] directed by Yasuharu Ishii and starring Mao Inoue and Jun Matsumoto. It is the last part of the Japanese live-action Boys Over Flowers trilogy, based on the manga series by Yoko Kamio .
One week into newlywed Teiko Uhara's marriage, her husband, ad agency manager Kenichi, leaves on a short business trip to Kanazawa and doesn't return. With a pair of old photographs she found among his belongings, Teiko travels across Japan to search for him, first with the help of her husband's employer, later on her own.