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The song features American singer SZA. "Consideration" is the opening track of the album, [8] with a length of two minutes and forty-one seconds. [9] Jeff Benjamin of Fuse considers it "more of Anti's intro track than a proper pop song."
Eddie Hinton – guitar on "I'll Take You There" Raymond Banks – guitar on "I'll Take You There" The Memphis Horns (including Wayne Jackson and Andrew Love – horns (saxophones, trumpets, baritone saxophone, trombone) Ben Cauley – horns; Production and technical staff. Al Bell – arranger, producer; Johnny Allen – arranger
"Respect Yourself" is a song by American R&B/gospel group the Staple Singers. Released in late 1971 from their album Be Altitude: Respect Yourself, the song became a crossover hit.
If you can handle this, it sounds like Dolly Parton produced by Brian Eno. Only better." [5] AllMusic noted Faithfull's "faint vocal approach accompanied by the lone synthesizer emanates an eerie candor throughout the song's duration. This wispiness helps to build the fantasy/reality concept of the song, and shows Faithfull at her most sincere."
Take No Prisoners is the fourth studio album by American southern rock band Molly Hatchet, released in 1981.This is the second and last studio album released with lead singer Jimmy Farrar and the last one with original bass player Banner Thomas and the last to feature drummer Bruce Crump until The Deed Is Done.
Respect Me may refer to: Respect Me (Tinga Stewart album), 1989; Respect M.E., a 2006 album by Missy Elliott; Respect Me (Lil' Flip album), 2009 "Respect Me", a song by 50 Cent "Respect Me", a song by Dizzee Rascal from his 2004 album Showtime
Included on the group's 1972 album Be Altitude: Respect Yourself, "I'll Take You There" features lead singer Mavis Staples inviting her listeners to seek Heaven.The song is almost completely a call-and-response chorus, with the introduction and bassline being lifted—uncredited—from "The Liquidator", a 1969 reggae hit written by Harry Johnson and performed by the Harry J Allstars.
"Respect" is a song written and performed by American soul singer-songwriter Otis Redding, and later rearranged by Aretha Franklin. It was released in 1965 as a single from Redding's third album Otis Blue/Otis Redding Sings Soul and became a crossover hit for Redding.