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The fourth woodcut of the Apocalypse series, The Four Horsemen of the Apocalypse (1498) The fourth woodcut of the Apocalypse cycle, The Four Horsemen of the Apocalypse, depicts the first four of seven seals that must be opened in order for the Apocalypse to begin. [19] Though hostile in nature, these riders are in no way connected to Satan.
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Some equate the Four Horsemen with the angels of the four winds. [80] See Michael , Gabriel , Raphael , and Uriel , angels often associated with four cardinal directions). Some speculate that when the imagery of the Six Seals is compared to other eschatological descriptions throughout the Bible, the themes of the horsemen draw remarkable ...
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They hark back in concept to Albrecht Dürer's famous woodcut of The Four Horsemen of the Apocalypse (c. 1497–98), [3] based on the apocryphal Revelation 6:1–8. The first version depicts four riders, including War, Pestilence, and Death, riding furiously through the air above a classical city.