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Kahiko-Lua-Mea (better known simply as Kahiko) is a god in Hawaiian mythology, who was once a chief on the Earth and lived in Olalowaia. He is mentioned in the chant Kumulipo and in the Chant of Kūaliʻi. Kahiko is also mentioned in The Legend of Waia. [1] The legend is that there was a head figure that had the ability to speak.
Hula kahiko performance at the pa hula in Hawaii Volcanoes National Park. Hula kahiko, often defined as those hula composed prior to 1894 which do not include modern instrumentation (such as guitar, ʻukulele, etc.), encompasses an enormous variety of styles and moods, from the solemn and sacred to the frivolous.
Later, in 1920, French-Polish linguist Jean Przyluski found that Mường is more closely related to Vietnamese than other Mon–Khmer languages, and a Viet–Muong subgrouping was established, also including Thavung, Chut, Cuoi, etc. [12] The term "Vietic" was proposed by Hayes (1992), [13] who proposed to redefine Viet–Muong as referring to ...
The Merrie Monarch Festival, a weeklong cultural event in Hilo, Hawaii features the best hālau hula, or hula schools, from across the country.
It is also played in the United States, sometimes under the names Viet Cong, [2] VC, [2] Thirteen (which is also the common English name in Australia's Vietnamese migrant community), [2] Killer, [2] or 2’s.
The Vietnamese people (Vietnamese: người Việt , lit. ' Việt people ' or ' Việt humans ') or the Kinh people (Vietnamese: người Kinh , lit. 'Metropolitan people'), also recognized as the Viet people [67] or the Viets, are a Southeast Asian ethnic group native to modern-day northern Vietnam and southern China who speak Vietnamese, the most widely spoken Austroasiatic language.
Sino-Vietnamese vocabulary (Vietnamese: từ Hán Việt, Chữ Hán: 詞漢越, literally 'Chinese-Vietnamese words') is a layer of about 3,000 monosyllabic morphemes of the Vietnamese language borrowed from Literary Chinese with consistent pronunciations based on Middle Chinese. Compounds using these morphemes are used extensively in cultural ...
The Đại Việt sử ký tục biên or the Cảnh Trị edition (1665), that was the era name of Lê Huyền Tông has a better status of conservation but the most popular and fully preserved version of Đại Việt sử ký toàn thư until now is the Chính Hòa edition (1697) which was the only woodblock printed version of this work. [12]