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Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire 's Les Fleurs du ...
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
The Symbolist Movement in Literature, first published in 1899, and with additional material in 1919, is a work by Arthur Symons largely credited with bringing French Symbolism to the attention of Anglo-American literary circles. Its first two editions were vital influences on W. B. Yeats and T. S. Eliot —a note that, for nothing else, would ...
Russian symbolism was an intellectual, literary and artistic movement predominant at the end of the 19th and beginning of the 20th century. It arose separately from West European symbolism , and emphasized defamiliarization and the mysticism of Sophiology .
t. e. Surrealism is an art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. [1] Its intention was, according to leader André Breton, to "resolve the previously ...
Vanitas art is an allegorical art representing a higher ideal or containing hidden meanings. [5] Vanitas are very formulaic and they use literary and traditional symbols to convey mortality. Vanitas often have a message that is rooted in religion or the Christian Bible. [6] In the 17th century the vanitas genre was popular among Dutch painters.
The Palais Garnier, the Paris opera house designed by Charles Garnier was a highly romantic and eclectic combination of artistic styles. Another notable example of late 19th century romanticism is the Basilica of Sacré-Cœur by Paul Abadie, who drew upon the model of Byzantine architecture for his elongated domes (1875–1914). [98]
Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art". [3]