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The Ghost of Yotsuya (東海道四谷怪談, Tōkaidō Yotsuya Kaidan) is a 1959 Japanese supernatural horror film directed by Nobuo Nakagawa. The film is based on the kabuki play Yotsuya Kaidan. [1] It was among the many horror films that Nakagawa adapted for Shintoho in the late 1950s and was one of the many adaptations of the play.
Normally, with a Kabuki double-feature, the first play is staged in its entirety, followed by the second play. However, in the case of Yotsuya Kaidan it was decided to interweave the two dramas, with a full staging on two days: the first day started with Kanadehon Chushingura from Act I to Act VI, followed by Tōkaidō Yotsuya Kaidan from Act I ...
"Yotsuya Ghost Story" is a retelling of the Yotsuya Kaidan, written by the 18th century kabuki playwright Nanboku Tsuruya IV. In the anime, Nanboku himself becomes the narrator. Iemon Tamiya is a callous ronin samurai who desires a beautiful woman named Oiwa but is denied permission by her father. One dark night, Iemon kills her father.
Crest of Betrayal, known in Japan as Chūshingura Gaiden: Yotsuya Kaidan (Japanese: 忠臣蔵外伝 四谷怪談, "The Treasury of Loyal Retainers Side Story: Yotsuya Ghost Story"), is a 1994 Japanese film directed by Kinji Fukasaku.
Illusion of Blood was based on the kabuki play Tokaido Yotsuya kaidan by Nanboku Tsuruya, which had already been adapted to film before, including The Yotsuya Ghost Story I & II and The Yotsuya Ghost Story. This version of the film focuses on the increasing madness of the character of Iemon Tamiya. [1]
A star, Miyuki Goto (Kō Shibasaki) plays Oiwa, the protagonist in a new play based on the ghost story Yotsuya Kaidan.She pulls some strings to get her lover, Kosuke Hasegawa (Ebizō Ichikawa XI) cast in the play, even though he's a relatively unknown actor.
The Ghost of Yotsuya may refer to: The Ghost of Yotsuya (1959 Shintoho film) The Ghost of Yotsuya (1959 Daiei film) This page was last edited on 2 ...
Much like Yotsuya Kaidan, there remains a superstition that actors who play the ghost roles in Kaidan Botan Doro will come to harm. This comes from a 1919 performance at the Imperial Theater, when the two actresses playing Otsuyu and her maid became sick and died within a week of each other.