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Associated with the environmentalist musical counterculture of the previous decade, animal rights songs of the 1970s were influenced by the passage of animal protection laws and the 1975 book Animal Liberation. [1] Paul McCartney has cited John Lennon's Bungalow Bill, released in 1968, as among the first animal rights songs. [2]
Guthrie and his collaborator Pete Seeger would go on to release numerous environmentally conscious songs and were involved in advocacy for reducing pollution in rivers. Malvina Reynolds released music on topics such as water conservation, the impact of the California freeway system and pollution. [3]
Unlike most of Lennon's previous songs, "Saltwater" combines subtle melodies with gentle vocals to bring forward the issues of environmental conservation and world poverty. The lyrics juxtapose the many marvels and feats of human civilisation with the death of the natural world, constantly emphasising the passing of time — "Time is not a ...
Saltwater (Julian Lennon song) Sámiid ædnan; Save the World (George Harrison song) Self-Immolate (song) Seminole Wind (song) Send It On (Disney song) Shapes of Things; Signs (Five Man Electrical Band song) Sink, Florida, Sink; So Long, It's Been Good to Know Yuh; Sunday (Foals song) Superfast Jellyfish; Supernature (song) Surf's Up (album)
"We're All Water" is a song written by Yoko Ono that was first released on the 1972 John Lennon and Yoko Ono Plastic Ono Band album Some Time in New York City. It was the last song on the first record of the album, and the last song on the album that was recorded in the studio (the second record was live).
The song was created by Explainer Music, LLC. David Holmes, co-founder of Explainer Music and a graduate of Studio 20, a New York University graduate program, used data collected by the investigative journalism group ProPublica to write "My Water's On Fire Tonight". Described by Studio 20 as an "explainer", it is a mini-documentary reflective ...
The moniker 'The Four Bucketeers' came about as a way of circumnavigating any potential copyright difficulties of using the 'Tiswas' brand when Tarrant and Co. performed the song outside of the TV show situation, and the initial record release. Ultimately though, a compromise was reached and thereafter, the phrase 'Tiswas presents The Four ...
Payne asked for and received copies of the recordings, and soon found that the songs repeated themselves. The shortest songs were about six minutes long, and the longest were over 30 minutes. They could be repeated continuously for up to 24 hours. When the sounds were graphed they displayed a definite structure. [clarification needed] [8]