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Holbeinesque jewellery includes pendants, brooches and earrings in the neo-Renaissance or Renaissance Revival style, and once again became fashionable in the 1860s. The designs differ from the older stylised and pious neo-Gothic jewellery, in that they are extravagantly opulent – this richness of form and colour which had appealed to the Tudor court was rediscovered by Victorian jewellers ...
Jewellery (or jewelry in American English) consists of decorative items worn for personal adornment such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes.
Renaissance fede ring (c1500-1650) (Walters Art Museum) A fede ring is a ring in which two hands clasp, as if in friendship, love or betrothal. The design was used in Ancient Rome, maybe earlier. It became prominent in the Middle Ages, from the 12th century onward. [1] The name "fede" is from the Italian phrase mani in fede ("hands clasped in ...
Later Viking jewelry also starts to exhibit simplistic geometric patterns. [27] The most intricate Viking work recovered is a set of two bands from the 6th century in Alleberg, Sweden. [26] Barbarian jewelry was very similar to that of the Vikings, having many of the same themes. Geometric and abstract patterns were present in much of barbarian ...
Giuliano’s jewelry was known for its intricate enamel work and Renaissance Revival motifs, which drew inspiration from classical art and architecture. His pieces frequently employed champlevé and cloisonné enamel techniques, which allowed him to create rich, polychromatic designs.
Ancient and Renaissance cameos were made from semi-precious gemstones, [3] especially the various types of onyx and agate, and any other stones with a flat plane where two contrasting colours meet; these are "hardstone" cameos.