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Paternoster (FCR 243), also known as Shepherd and Sheep or Shepherd with his Flock, [1] is an outdoor bronze sculpture of 1975 by Elisabeth Frink, installed in Paternoster Square near St Paul's Cathedral in London, United Kingdom. [2] The sculptural group measures 84 by 129 by 32 inches (213 cm × 328 cm × 81 cm).
The Good Shepherd, c. 300–350, at the Catacombs of Domitilla, Rome. The Good Shepherd (Greek: ποιμὴν ὁ καλός, poimḗn ho kalós) is an image used in the pericope of John 10:1–21, in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep. Similar imagery is used in Psalm 23 and Ezekiel 34:11–16.
The other figures tell the story of Jonah in four pieces, with a Good Shepherd; how they were displayed remains mysterious. [30] The depiction of Jesus was well-developed by the end of the pre-Constantinian period. He was typically shown in narrative scenes, with a preference for New Testament miracles, and few of scenes from his Passion. A ...
The good shepherd is seen with one sheep on each of his sides. There has been speculation on the religious origins of the Sarcophagus of Livia Primitiva. It was thought to be Christian because the artwork was tied to Christianity , but later evidence strongly suggests that this artifact was built for a Pagan entombment.
The Good Shepherd The Guardian Angel. Plockhorst was born in Braunschweig, Germany, where he had a 5-year education in lithography at the Collegium Carolinum, after which he trained to be a painter with Julius Schnorr von Carolsfeld in Dresden in 1848, with Carl von Piloty in Leipzig and Munich, and finally with Thomas Couture in Paris in 1853.
His father Francis was a doctor and laird of Finzean. Joseph was educated in Edinburgh and permitted by his father to paint only on Saturdays using his father's paint box. When Joseph reached the age of 12, Francis Farquharson bought his son his first paints and only a year later he exhibited his first painting at the Royal Scottish Academy. [2]
On the left a winding road passes a cornfield with sheaves and a group of trees and is lost in the distance. A shepherd sits on the old castle-wall, conversing with a youth seated on the ground, near a dog and three sheep. On a bastion, on the other side, are three sheep; in a breach of the bastion stands a man. On a pool are three swans.
The Good Shepherd (c. 1660) by Bartolomé Esteban Murillo. The Good Shepherd is an oil on canvas painting by Bartolomé Esteban Murillo, from c. 1660. It is held in the Prado Museum, in Madrid. It has the Inventory number P00962 [1] It and other works were bought in 1744 from the heirs of cardinal Gaspar de Molina y Oviedo by Elisabeth Farnese. [2]