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  2. Crest factor - Wikipedia

    en.wikipedia.org/wiki/Crest_factor

    The peak-to-average power ratio (PAPR) is the peak amplitude squared (giving the peak power) divided by the RMS value squared (giving the average power). [1] It is the square of the crest factor. When expressed in decibels , crest factor and PAPR are equivalent, due to the way decibels are calculated for power ratios vs amplitude ratios .

  3. Critical band - Wikipedia

    en.wikipedia.org/wiki/Critical_band

    A Band-pass filter showing the centre frequency(Fc), the lower(F1) and upper(F2) cut off frequencies and the bandwidth. The upper and lower cut-off frequencies are defined as the point where the amplitude falls to 3 dB below the peak amplitude. The bandwidth is the distance between the upper and lower cut-off frequencies, and is the range of ...

  4. Audio power - Wikipedia

    en.wikipedia.org/wiki/Audio_power

    Audio power is the electrical power transferred from an audio amplifier to a loudspeaker, measured in watts.The electrical power delivered to the loudspeaker, together with its efficiency, determines the sound power generated (with the rest of the electrical power being converted to heat).

  5. MUSIC (algorithm) - Wikipedia

    en.wikipedia.org/wiki/MUSIC_(algorithm)

    A modified version of MUSIC, denoted as Time-Reversal MUSIC (TR-MUSIC) has been recently applied to computational time-reversal imaging. [11] [12] MUSIC algorithm has also been implemented for fast detection of the DTMF frequencies (Dual-tone multi-frequency signaling) in the form of C library - libmusic [13] (including for MATLAB ...

  6. Formant - Wikipedia

    en.wikipedia.org/wiki/Formant

    The formant with the lowest frequency is called F 1, the second F 2, the third F 3, and so forth. The fundamental frequency or pitch of the voice is sometimes referred to as F 0, but it is not a formant. Most often the two first formants, F 1 and F 2, are sufficient to identify the vowel. The relationship between the perceived vowel quality and ...

  7. dBFS - Wikipedia

    en.wikipedia.org/wiki/DBFS

    Decibels relative to full scale (dBFS or dB FS) is a unit of measurement for amplitude levels in digital systems, such as pulse-code modulation (PCM), which have a defined maximum peak level. The unit is similar to the units dBov and decibels relative to overload (dBO). [1] The level of 0 dBFS is assigned to the maximum possible digital level. [2]

  8. Beat (acoustics) - Wikipedia

    en.wikipedia.org/wiki/Beat_(acoustics)

    It can be proven (with the help of a sum-to-product trigonometric identity) that the sum of two unit-amplitude sine waves can be expressed as a carrier wave of frequency ⁠ f 1 + f 2 / 2 ⁠ whose amplitude is modulated by an envelope wave of frequency ⁠ f 1 - f 2 / 2 ⁠: [3]

  9. Audio system measurements - Wikipedia

    en.wikipedia.org/wiki/Audio_system_measurements

    Example: A 16-bit system has 2 16 different possibilities, from 0 – 65,535. The smallest signal without dithering is 1, so the number of different levels is one less, 2 16 − 1. So for a 16-bit digital system, the Dynamic Range is 20·log(2 16 − 1) ≈ 96 dB. Sample accuracy/synchronisation Not as much a specification as an ability.