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[2] Locke highlighted Augestad's recording of Hate Songs as one of the "best opera and vocal music" works in that year. [3] Albrecht Thiemann, editor of Opernwelt, called the work "a captivatingly orchestrated, spirit-sparkling opus" and "a coup that provides an immense listening pleasure. With this work, Paus highlights a woman hardly known in ...
Recitative and aria for soprano and orchestra: Metastasio, Artaserse II,11: 1766, or Count Firmian's audition party, Milan, 12 March 1770 deest KV 9 646 "Cara, se le mie pene" (Score/Crit. report) Aria for soprano and orchestra: unknown: 1769 82: 73o "Se ardire, e speranza" (Score/Crit. report) Aria for soprano and orchestra: Metastasio ...
D 923, Song "Eine altschottische Ballade" ['Dein Schwert, wie ist's von Blut so rot'] for voice and piano, Edward (1827; 2nd version in addition to 3rd version for male voice, female voice and piano) Op. 106 No. 2 – D 926 , Song "Das Weinen" ['Gar tröstlich kommt geronnen'] for voice and piano (1827–1828)
A mezzo-soprano (Italian: [ˌmɛddzosoˈpraːno], lit. ' half soprano '), or mezzo (English: / ˈ m ɛ t s oʊ / MET-soh), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e.
It was performed and live recorded at the Gasteig in Munich by Martina Koppelstetter and the composer on 11 April 2010, in a composer's portrait concert, along with chamber music, early songs and the premiere of the setting of the poem Im Gebirg (On the Mountains) by Hans Krieger, scored for mezzo-soprano, alto flute and piano. [2]
The following is a list of the complete secular vocal output composed by Franz Schubert (31 January 1797 – 19 November 1828).. It is divided into eleven sections, and attempts to reflect the most current information with regards to Schubert's catalogue.
El mar la mar for two sopranos and five instruments (1950); reduction for two sopranos and piano (1953); arrangement for soprano, mezzo-soprano and seven instruments (1969). Opus no. Zoo for reciter and wind quintet (1951; revised 1971) Due liriche di Garcia Lorca for bass and orchestra (1951) Deus meus for voice and three instruments (1951)
Eleven Songs for Susan (2007), for mezzo-soprano & chamber orchestra; Three Poems of Edna St. Vincent Millay (2007), for voice & piano; Songs Old and New (2008), for soprano & orchestra; Four Sonnets of Shakespeare (2008), for tenor & piano; Sonnet 144 (Two Loves I Have) (2010), for soprano, mezzo-soprano, & piano