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With hip hop having greatly increased in mainstream popularity in the late 1980s, Billboard introduced the chart in their March 11, 1989 issue under the name Hot Rap Singles. [1] [2] Prior to the addition of the chart, hip hop music had been profiled in the magazine's "The Rhythm & the Blues" column and disco-related sections, while some rap ...
The 1980s were hip-hop’s first full decade as a documented musical genre on record, and from ’80 to ’89, rap grew from single to albums, from party songs to social commentary, from simple ...
Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
This is a list of notable hip hop musicians. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Hot Rap Songs (formerly known as Hot Rap Tracks and Hot Rap Singles) is a chart released weekly by Billboard in the United States. It lists the 25 most popular hip-hop/rap songs, calculated weekly by airplay on rhythmic and urban radio stations and sales in hip hop-focused or exclusive markets.
Chuck D and Bomb Squad leader Hank Shocklee wanted to push the innovation in hip hop instead of follow it and decided one key idea to separate themselves from other hip hop acts was to speed the BPM of the songs. Chuck D said in an interview "Most rap records at the time had a BPM of 98 BPM. Our stuff was around 109."
The beat tempo of chopper songs, particularly from the Midwest, tends to range from 90 BPM to 180 BPM, a much higher range than most other rap genres. [1] Maintaining the quality of lyrics in terms of rhyming and substance while increasing speed of delivery is one of the key aspects of the style. [3] [11]
Memphis artists released recordings on independent labels. The dominance of New York and Los Angeles's hip hop scenes forced southern artists to form an underground style and sound to compete with the other regions. Artists used a grassroots approach through word-of-mouth in the club scene and mixtapes to promote their music. [8]