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[1] [2] Braxton performs the pieces on this album entirely on alto saxophone, with no additional musicians, instrumentation or overdubbing. Although other jazz musicians, such as Coleman Hawkins, Sonny Rollins, and Eric Dolphy, had recorded unaccompanied saxophone solos, [3] For Alto was the first jazz album composed solely of solo saxophone ...
Solo de Concours Op. 13 for Alto Saxophone and Piano (1874)—Paul Agricole Génin; Le Val Fleuri (1888)—Louis Ganne; Hot-Sonate (1930)—Erwin Schulhoff; Sonata for Alto Saxophone and Piano (1931)—Wolfgang Jacobi; Suite for Alto Saxophone and Piano (1935)—Paul Dessau; Aria for alto saxophone and piano (1936)—Eugène Bozza
Portions of Parker’s improvised solos continue to be quoted by other improvising jazz musicians today. The transcriptions are not intended to be studied by saxophonists new to the instrument but rather by advanced students with some prior jazz idiom knowledge and considerable instrumental skill. Very few articulation marks are notated. [3]
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone.
Saxophone Improvisations Series F is a solo album by American saxophonist and composer Anthony Braxton recorded in 1972 and originally released on the French America label. [ 1 ] [ 2 ] Reception
Alto Saxophone Improvisations 1979 is a solo album by American saxophonist and composer Anthony Braxton, recorded in 1978 and 1979 and released on the Arista label. [ 1 ] [ 2 ] The tracks were subsequently reissued on The Complete Arista Recordings of Anthony Braxton on Mosaic Records in 2008.
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse .
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.