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An example of a typical NATCO hollow clay tile as advertised in their 1910 catalogue. "The visible points of superiority, as compared with similar tile of different makes, are the deep dovetail scoring for the better bonding of stucco or plaster, the absence of imperfections and the better general symmetry due to the more accurate machining by this company's unequaled equipment.
Fire-retardant materials are designed to burn slowly.. Fire-retardant materials should not be confused with fire-resistant materials. A fire resistant material is one which is designed to resist burning and withstand heat.
Fireproof vaults to protect important paper documents are usually built using concrete or masonry blocks as the primary building material. [citation needed] In the event of a fire, the chemically-bound water within the concrete or masonry blocks is forced into the vault chamber as steam, which soaks the paper documents to keep them from igniting.
The base layer should be 6" deep for walkways, or 12" deep for driveways. [10] The base material should either be 3/4" crushed stone (to allow water to drain through it) for a 1/4" crushed stone bedding, or 3/4" minus crushed stone (to prevent sand from sinking through it) for a concrete sand bedding. The base should be compacted every 6".
The Homasote base reduces the incidence of impact injuries such as shin splints caused by dancing on the concrete floor. Homasote is used in theatrical sets as a noise deadening layer for stage platforms consisting of a 3 ⁄ 4 -inch (19 mm) plywood sublayer, a 1 ⁄ 2 -inch (13 mm) Homasote layer, and a 1 ⁄ 4 -inch (6 mm) Masonite top layer.
The layout of the Fireproof House is a response to the American Foursquare, [11] [12] a format popular across the United States in the early 1900s. The Foursquare and Fireproof House shared the common cause for simpler, more economical design. The typical American Foursquare was a simple two-story box divided into four equal quadrants per floor.
The Filigree Wideslab method is a process for construction of concrete floor decks from two interconnected concrete placements, one precast in a factory, and the other done in the field. The method was developed during the late 1960s by Harry H. Wise as a more efficient and economic construction process than conventional cast-in-place technologies.
In theatres, the balcony was formerly a stage box, but the name is now usually confined to the part of the auditorium above the dress circle and below the gallery. Balconies are part of the sculptural shape of the building allowing for irregular facades without the cost of irregular internal structures. [2]