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Unlike much western music, Arabic music includes quarter tones halfway between notes, often through the use of stringed instruments (like the oud) or the human voice. Further distinguishing characteristics of Middle Eastern and North African music include very complex rhythmic structures, generally tense vocal tone, and a monophonic texture.
The traditional dances of the Middle East (Arabic: رقص شرق أوسطي) (also known as Oriental dance) span a large variety of folk traditions throughout North Africa, the Middle East, and Central Asia. For detailed information on specific dances of the region, see the main entries as follows:
Franco-Arabic music is a form of music similar to modern Arabic Pop. The genre was popularized by artists such as Dalida from Egypt, Sammy Clark from Lebanon and Aldo from Australia. Franco-Arabic music includes a variety of languages, including Arabic, Italian, French Arabic and English. [43]
Arab folk dances (Arabic: رقص عربي, romanized: raqs ʿarabiyy), also referred to as Oriental dance, Middle-Eastern dance and Eastern dance, are the traditional folk dances of the Arabs in Arab world. Arab dance has many different styles, including the three main types of folklore, classical, and contemporary.
Music scholars, journalists, audiences, record industry individuals, politicians, nationalists, and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal, or ethnic lines, and all such peoples will likely use different criteria to decide ...
The hair, apart from the thobe is the main element used to dance Khaleegy: women let their long hair "dance", moving it from side to side, back and forth, in circle and making other figures. The meaning of this dance is related to the sea and water and showing the region's beauty and richness.
Nov. 6—Boulder Chorale Performs Middle Eastern Music: "Origins: The Fertile Crescent" will highlight Middle Eastern music and Northern African music, including songs by the late Egyptian singer ...
Some players move their fists in and out of the bell to alter the tone. Some players also place their hands on the surface of the drum to produce a muted sound. There are a variety of rhythms (see dumbek rhythms) that form the basis of the folkloric and modern music and dance styles of the Middle East.